Les Amis de Beauford Delaney is supporting the completion of

BEAUFORD DELANEY: SO SPLENDID A JOURNEY,

the first full-length documentary about Beauford.


Join us in making this video tribute to Beauford a reality!

TO MAKE A TAX DEDUCTIBLE DONATION,

CLICK HERE.



Saturday, March 30, 2024

Beauford Delaney Research Grant 2023/2024

Kelly-Christina Grant, an art history doctoral candidate at the University of Paris Nanterre, is the 2023/2024 winner of the Bourse Beauford Delaney-Villa Albertine (Beauford Delaney Research Grant).

Supported by the Ford Foundation, this grant funds travel and other expenses related to research projects on African-American art undertaken by France-based academics and scholars.

Grant's project, L’Atlantique noire de Loïs Mailou Jones (The Black Atlantic of Loïs Mailou Jones), examines "the political, social, gender, and racial issues surrounding Jones’ practice of landscape painting."

Kelly-Christina Grant
LinkedIn Photo

This work is also the focus of her Terra Foundation for American Art predoctoral fellowship at the Smithsonian American Art Museum.

Beauford and Jones met during Beauford's Boston years. Jones was a student at the Boston Museum School at the time, and Beauford had established himself in the city with the support of Knoxville artist Lloyd Branson. While it is not clear how well the two knew each other, they both frequented Boston's museums and the Ford Hall Forum on Boyleston Street. Both took classes at the Massachusetts Normal Art School (aka Boston Normal Art School).

Both artists were also masters at landscape painting.

Greenwich Village
(1945) Oil on canvas
Image by Manu Sasoonian, from Amazing Grace
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator

Jardin du Luxembourg
Loïs Mailou Jones
(ca 1948) Oil on canvas
Smithsonian American Art Institute

Grant had the following to say about Beauford and his work:

Like Loïs Mailou Jones, Beauford Delaney was an extraordinary colorist whose art spanned many styles and who captured on canvas the mood of the places who inspired him the most, from New York to Paris. He's a major Modernist painter in the history of American art.

Read Grant's research article entitled "African-American Women Artists in French Public Collections: Acquisitions from the 1970s to the Present Day" by clicking HERE.

Saturday, March 23, 2024

A Chance Meeting Features Beauford's Art on Cover

Rachel Cohen is a Beauford Delaney aficionada and a superb writer.

She send me the following message a few days ago:

I am delighted that New York Review of Books Classics is reissuing my first book A Chance Meeting at its 20th anniversary. The book traces more than a century of encounters among American writers and artists. The new edition has a wonderful Beauford Delaney cover, a forward by Vijay Seshadri and a new afterword by me, and it goes on sale tomorrow, March 19th. The book is NYRB's March book of the month; information and a way to purchase are here.
Book cover for A Chance Meeting

The artwork that graces the cover of the latest edition of Cohen's book is Untitled (Village Street Scene), (1948) Oil on canvas.

Since 2014, Les Amis has published five articles that feature Cohen's insightful commentary on Beauford's life and art. Her work is a joy to read!

Find links to the articles below.

Rachel Cohen on Beauford

Rachel Cohen's Tribute to Beauford

Rachel's Musings: Three Articles about Beauford

Stephen Wicks and Rachel Cohen Discuss Baldwin Portrait: Part 1

Stephen Wicks and Rachel Cohen Discuss Baldwin Portrait: Part 2

Saturday, March 16, 2024

Beauford's Red, Yellow, Orange Sold by Christie's

Christie's Paris sold Beauford's Red, Yellow, Orange during its Post-War to Present auction on March 13, 2024.

Red, Yellow, Orange
(1963) Gouache on paper
signed, inscribed and dated 'Beauford Delaney Paris 1963' (lower right)
signed again and stamped with the Estate of Beauford Delaney stamp 'Beauford Delaney' (on the reverse)
25 ½ x 19 ½ in. (64.8 x 49.5 cm.)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator

The estimated sale price was $40,000 - $60,000.

The piece sold for $47,880, including a 26% buyer's premium.

To see other Beauford Delaney works that feature the color "orange," click on the link below:

Beauford and the Color "Orange"

Saturday, March 9, 2024

Christie's to Auction Beauford Delaney Work on Paper

On March 13, 2024, Christie's Paris will host its Post-War to Present auction.

Beauford's Red, Yellow, Orange will be among the works available for purchase.

Red, Yellow, Orange
(1963) Gouache on paper
signed, inscribed and dated 'Beauford Delaney Paris 1963' (lower right)
signed again and stamped with the Estate of Beauford Delaney stamp 'Beauford Delaney' (on the reverse)
25 ½ x 19 ½ in. (64.8 x 49.5 cm.)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator

This work was shown at the Beauford Delaney: Internal Light exhibition mounted by Levis Fine Art in May-June 2013.

In 1963, Beauford was under the care of the renowned psychiatrist Dr. Gaston Ferdière.

Biographer David Leeming writes that "With Dr. Ferdière's help Beauford was exploring himself more profoundly than he had been willing to do in the past."

He also writes that Spring 1963 "brought a new burst of painting and a concentrated attempt to translate the 'long interims of probity into our thoughts' into paintings 'which are never what our inner vision expected.'"

I wonder whether the fiery nature of Red, Yellow, Orange is a representation of this effort.

The estimated sale price of Red, Yellow, Orange is $40,000 – $60,000.

For information about the auction, click HERE.

Saturday, March 2, 2024

KMA Loans Beauford Delaney Works to National and International Venues

From the desk of Stephen Wicks, Barbara A. and Bernard E. Bernstein Curator at the Knoxville Museum of Art: 

The Knoxville Museum of Art is pleased to be able to support loan requests from several museums wishing to borrow works from the KMA’s extensive holdings by Knoxville-born modernist master Beauford Delaney.  

Hunter Museum of American Art, Chattanooga, TN, March 2024-March 2025

Exhibition summary: Two works on paper by Beauford Delaney for display in the museum’s collection galleries. The Hunter owns no works by the artist and its curatorial team is hopeful this year-long loan will help them generate additional support for a Delaney acquisition. 

Art work:

Untitled, circa 1961
Watercolor and gouache on paper, 25 ½ x 19 ½ inches
Knoxville Museum of Art, 2015 purchase with funds provided by
the Rachael Patterson Young Art Acquisition Reserve
© The Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
 


Untitled (Yellow, Red, and Black Circles for James Baldwin, Istanbul)
, 1966
Watercolor and gouache on paper, 25 5/8 x 19 inches
Knoxville Museum of Art, 2018 Beauford Delaney Acquisition
© The Estate of Beauford Delaney
by Permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
   
Grey Art Museum, New York University, Manhattan, NY,
Americans in Paris exhibition/tour, March 2024-June 2025:
 
 
Exhibition Summary: This exhibition represents the first substantial, scholarly overview of the work of American visual artists who pursued artistic training or worked for extended periods in postwar Paris, featuring never-before-published interviews with American and French artists, critics, and dealers. 
 
Exhibition venues:
  • Grey Art Museum/NYU, March 2-mid-July 2024
  • Addison Gallery of American Art, Andover, MA, September 2024-January 2025
  • NYU Abu Dhabi Art Gallery, February-June 2025 
 
Art work:
 

Blue-Light Abstraction
, circa 1962
Oil on canvas, 25 3/4 x 21 1/2 inches
Knoxville Museum of Art, 2018 Beauford Delaney Acquisition
© The Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
 
Centre Pompidou, Paris, FRANCE
Paris Noir exhibition, March 19-June 30, 2025

 
Exhibition summary: A groundbreaking exhibition devoted to the trajectory of 50 black artists based in France from the 1950s-1990s, and the importance artistic, social, and political factors that informed their course of their work. 
 
Art work: 
 
 

Untitled (African Figure)
, circa 1968
Oil and watercolor monoprint on paper, 25 1/2 x 19 1/2 inches
Knoxville Museum of Art, 2018 Beauford Delaney Acquisition
© The Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator

 

Scattered Light
, 1964
Oil on canvas, 39 x 24 inches
Knoxville Museum of Art,
2015 purchase with funds provided by 
the Rachael Patterson Young Art Acquisition Reserve 
© The Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator

While promoting the KMA’s Delaney collection, these loans are an important means of supporting important museum exhibitions organized by distinguished colleagues, and bringing Beauford Delaney’s extraordinary life and work to the attention of museum audiences around the world.