Les Amis de Beauford Delaney is supporting the completion of

BEAUFORD DELANEY: SO SPLENDID A JOURNEY,

the first full-length documentary about Beauford.


Join us in making this video tribute to Beauford a reality!

TO MAKE A TAX DEDUCTIBLE DONATION,

CLICK HERE.



Saturday, June 6, 2026

A New Chapter Begins

Launching The Beauford Delaney Project and Its First Creative Initiative

Portrait of Beauford Delaney
© Carl van Vechten 1953
Public domain

Today, Les Amis is pleased to report an important milestone in our efforts to honor, explore, and share the legacy of Beauford Delaney.

We are delighted to announce the launch of The Beauford Delaney Project, a new digital humanities initiative led by the Wells International Foundation (WIF), as well as the launch of the project's first official undertaking—a creative and scholarly soundscape project led by WIF's Summer 2026 intern, George Henry.

For many years, Les Amis has served as a space for sharing research, stories, discoveries, and conversations about Beauford as one of the 20th century's most remarkable artists.

The Beauford Delaney Project represents the next stage of that work—it is creating new opportunities for scholarship, education, artistic engagement, and public access centered on Beauford's life and legacy.

Rather than treating his story as something confined to museums or academic publications, the project seeks to bring Beauford's life into conversation with contemporary audiences—especially students, emerging scholars, artists, and community members. Through research, creative practice, educational programming, and international engagement, WIF is fostering new ways of understanding both his artistic achievements and the broader cultural worlds he inhabited.

The launch of the platform is only the beginning.

The First Project: Listening to Beauford's New York

We are especially pleased to introduce the first project developed under this new initiative.

This summer, George Henry, a recent Amherst College graduate whose work bridges Black Studies, technology, archival practice, and sound, will undertake an innovative exploration of Beauford's New York through audio.

George Henry
Image courtesy of George Henry

Drawing upon archival research and field recordings collected at locations associated with Beauford's life—including Harlem, Greenwich Village, and other neighborhoods where he lived and worked—Henry will create a series of immersive soundscapes designed to evoke the environments that surrounded Beauford during pivotal periods of his career.

The project asks a compelling question: What might we learn about Beauford's world by listening as closely as we look?

By combining scholarship, artistic interpretation, and contemporary audio practice, these soundscapes will offer audiences a new way to engage with Beauford's story—one that complements traditional historical research while inviting deeper sensory and emotional connection.

In many ways, the project reflects the broader vision of overall project: bringing together disciplines, perspectives, and communities to create new pathways into Beauford's life and work.

Looking Ahead

As The Beauford Delaney Project grows, we look forward to sharing new research, creative projects, educational opportunities, and collaborations inspired by Beauford's far-reaching influence.

We are grateful to everyone who has supported Les Amis over the years and invite you to explore the new platform, follow the progress of George Henry's work this summer, and join us as we continue building a space where scholarship, creativity, and community come together.

Find The Beauford Delaney Project HERE.

IMPORTANT NOTE: While the Les Amis de Beauford Delaney site will remain live for the foreseeable future, this is the last blog post we will publish here. All past posts are accessible at The Beauford Delaney Project digital hub, and all future posts will be uploaded there.

Saturday, May 30, 2026

Beauford's Portrait of Gaylord

The Worcester Art Museum (WAM) holds Beauford's Portrait of Gaylord in its permanent collection.

Portrait of Gaylord
(1944) Oil on canvas mounted on artist board
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Central to the museum's mission are its collaborations with many of the city’s colleges and universities, serving over 35,000 students annually. It uses its art collection to support the colleges’ curricula and engage students, faculty, and staff in planning and implementing projects that benefit all audiences.

In the fall of 2021, Kristina Wilson, professor of art history at Clark University, taught a course entitled “Art, the Public, and Worcester’s Cultural Institutions,” in which students researched works in the Museum’s collection to create content for a new podcast. “WAM x University” launched in the spring of 2022 and is available for streaming on Spotify. Its success opened the door for future classes and other colleges and universities to contribute new seasons, as an ongoing project for students to present research in new forms.

For the 50th episode of the podcast, Clark University student Lee McKinnon presents an analysis of Portrait of Gaylord that portrays it as a representation of resistance and protest.

Listen to the ~16-minute episode by clicking HERE.

Saturday, May 23, 2026

More on Beauford's Still Life with Idol

Last week, Les Amis published an article about Sotheby's sale of a Beauford Delaney work entitled Still Life with Idol.

Lot 336
Still Life with Idol
signed (lower center)
oil on Masonite in artist's chosen frame
36 by 21 in.
91.4 by 53.3 cm.
Executed in 1945.
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

In that post, we discussed the differences in title, media, and year of creation ascribed to the work on Sotheby's Website and in the biography entitled Amazing Grace: A Life of Beauford Delaney.

Sylvain Briet worked alongside his brother, Philippe, at the Philippe Briet Gallery in New York.  He graciously provided us with additional information about this painting.

He told us that the gallery sold the painting to Jean de Gunzburg and that de Gunzburg already owned it when the gallery displayed it at the Beauford Delaney: The New York Years [1929-1953] exhibition in April - May 1994. He confirmed that it is an oil on masonite.

Briet also told us that neither his brother nor Jean de Gunzburg knew of the title Still Life with Idol and that the work was listed in the exhibition as Untitled, circa 1945. He mentioned that many of the works shown during the gallery's 1994 show also hung in the Seventh Annual Exhibition of Paintings and Sculpture at the Pyramid Club in Philadelphia in 1947.

Saturday, May 16, 2026

Beauford's Still Life with Idol Offered by Sotheby's

Sotheby's auctioned Beauford's Still Life with Idol during its Contemporary Day Auction featuring works from the collection of Jean and Terry De Gunzburg.
Lot 336
Still Life with Idol
signed (lower center)
oil on Masonite in artist's chosen frame
36 by 21 in.
91.4 by 53.3 cm.
Executed in 1945.
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

According to Sotheby’s, the present owner acquired the work from Philippe Briet Gallery, New York, in 1994. The painting appears to be the work shown second from the left in an installation photograph from the gallery’s Beauford Delaney: The New York Years [1929-1953] exhibition, which was held from April through May 1994.

Beauford Delaney: The New York Years (1994)
© Sylvain Briet

Several years ago, Sylvain Briet shared with Les Amis an invitation card and graphic image produced for the 1994 exhibition. Although the title of the work was not identified on the material provided, Les Amis later located what appears to be the same composition reproduced in the first edition of David Leeming’s biography entitled Amazing Grace: A Life of Beauford Delaney (1998; Oxford University Press).

In the biography, the work is identified as Earth Mother.

Les Amis subsequently included the image in a 2017 post entitled "Beauford's Reflections on Leaving New York".

Earth Mother
(1950) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

The caption accompanying the black-and-white reproduction of Earth Mother in the second edition of Amazing Grace (2024; Karma Books) lists dimensions that correspond to those given for Still Life with Idol on Sotheby’s Website.

Earth Mother as presented in
Amazing Grace: A Life of Beauford Delaney (2024; Karma Books)
© Les Amis de Beauford Delaney

The Sotheby’s image differs noticeably in coloration from the earlier reproduced image.

David Leeming’s Amazing Grace: A Life of Beauford Delaney identifies the work as Earth Mother (1950, oil on canvas); Sotheby’s identifies it as Still Life with Idol (1945, oil on Masonite).

The estimated sale price of Still Life with Idol was $60,000 - $80,000.

It sold for $76,800, including a buyer's premium of 28%.

For information about the auction, click HERE.