It sold for $53,125.
(1962-1964) Gouache on paper
Signed and dated "Paris, 1964"
Inscribed: "for Amy(?) Erica + Tully, Paris August 20, 1962, with fond regards"
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
The date range for this work aroused my curiosity. Beauford showed ten abstract gouaches in a 1964 Copenhagen exhibition called 10 American Negro Artists, and I wondered if this may have been one of them.
Also, the online image of this work struck a chord in me.
I found it to be particularly vibrant, and I wanted to do something special when I posted about it here.
Enter Marteena Mendelssohn, a junior at the American University of Paris (AUP) who is serving as the autumn intern for the Wells International Foundation.
Marteena is a Creative Writing major and Film minor, and she has expressed interest in learning more about Beauford.
So, I invited her to have a look at some of the creative writing done by some of her intern predecessors (two of whom were also AUP students) and write some prose or poetry about this work on paper.
Find the resulting poem below.
Grievances from a Soul of Sorrow
by Marteena Mendelssohn
To move forward
so we dig and we build and we move
with dark
bodies and light voices that pave way into the black night blundering us into bits of bodies until our brown eyes turn into crimson blood on the backside of a painted canvas that’ll never see the day
break
Me
into the world of the unknown.
You or I refuse to see, it is our faith in the light that allows us to be
u
s
so.
Take our light take our truth
But don’t take us back to the starting line.
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