Valerie Cassel Oliver, who currently serves as the Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the Virginia Museum of Fine Arts (VMFA), has included Beauford's The Burning Bush in her exhibition entitled The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse.
(1941) Oil on paperboard
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
The painting is part of the "Sinners and Saints" section of the exhibition, which "explores the belief systems that have emerged from this country's unique mixing of cultures, particularly West African, European, and Indigenous American spiritual traditions."
While working at the Contemporary Arts Museum Houston, Oliver became intrigued by the content of Southern hip-hop (aka Dirty South) videos and conceived the exhibition as a means of examining "100 years of call and response between visual artists and musicians." Her selection of the themes presented in the exhibition - "Landscape," "Sinners and Saints," and "Black Corporality" - was inspired by content presented in these videos. She describes "Dirty South" as "something which embodies ... the contemporary expression of Southern sensibilities."
Most of the works shown in The Dirty South were created by southerners or persons who are one to two generations removed from the U.S. South. Most are contemporary pieces. Others, such as The Burning Bush, represent the work of artists of previous generations upon which the framework of contemporary art is constructed.
In her Virtual Curator's Talk, recorded on May 20, 2021, Oliver explains in detail her effort to examine the connection between sonic and visual artists in the exhibition. A number of the artists whose works appear in it were/are also "engaged in music" as singers, composers, and/or musicians. Beauford is one of these artists; he sang beautifully and as a child and a teenager, he proclaimed that he wanted to pursue music as a career.
The Dirty South originated at VMFA. It is now being show at the Contemporary Arts Museum Houston, where it opened on November 5 and will remain on display through February 6, 2022. From there, it will travel to the Crystal Bridges Museum of American Art in Bentonville, Arkansas, where it will show from March 12 - July 25, 2022.
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