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BEAUFORD DELANEY: SO SPLENDID A JOURNEY,

the first full-length documentary about Beauford.


Join us in making this video tribute to Beauford a reality!

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CLICK HERE.



Saturday, November 1, 2025

Following Love...

In October 1954, Beauford wrote:

"The privilege and right of choice and following love in all its difficult and painful rhythm, knowing the satisfaction that comes from the power of feeling and stimulation that comes from those we love; it's the essence of our work."

Today, I am presenting images of several of Beauford's abstracts, currently held by the Knoxville Museum of Art, that evoke this sentiment for me.

Untitled (Clamart)
(1959) Watercolor and gouache on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY


Untitled
(1960) Watercolor on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY


Untitled (Abstract Circles)
(1956) Pastel on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Black-Red-Gold Abstraction
(1963) Oil on canvas
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(c. 1962-1963) Watercolor on paper
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Saturday, October 25, 2025

Two Jazz Abstracts

A couple of days ago, I attended the vernissage (opening) for a retrospective show of work by sculptor Melvin Edwards at the Palais de Tokyo Contemporary Art Center in Paris' 16th arrondissement.

The space used to be occupied by the Musée National d'Art Moderne, which may be where Beauford attended a 1967 course in modern art featuring Braque, Picasso, and Vlaminck.

(The other possibility is that Beauford took the course at the Musée d'Art Moderne de Paris, which is located in the Palais de Tokyo's east wing.)

Across the street from the Palais de Tokyo is the Musée Galliera. I have written about this museum before in the context of Beauford's painting entitled Portrait of Marian Anderson, Jazz.

As I once again contemplated Beauford's naming of this completely abstract work after Anderson, I suddenly remembered that he did the same thing with Charlie Parker.

Portrait of Marian Anderson
Jazz, 1966
FNAC 29060
Centre national des arts plastiques
© droits réservés / Cnap /
Crédit photo : Yves Chenot
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.

I always presumed that Charlie Parker Yardbird was a portrayal of Parker's music.

Charlie Parker Yardbird
(1958) Oil on canvas
Smithsonian American Art Museum
Gift of the James F. Dicke Family
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

I now wonder if Beauford intended it to be a portrait of Parker.

Beauford painted figurative portraits of Anderson and Parker, making the evaluation of the abstracts bearing their names even more intriguing.

Beauford created his "musical portrait" of Parker in 1958, whereas he created Portrait of Marian Anderson, Jazz in 1966.

He painted his figurative portraits of Parker and Anderson in 1968 and 1965, respectively.

Charlie Parker
(1968) Oil on canvas
Memorial Art Gallery, University of Rochester
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Photograph by Joshua Nefsky
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Portrait of Marian Anderson
(1965) Oil on canvas
Virginia Museum of Fine Arts
J. Harwood and Louise B. Cochrane Fund for American Art
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

Saturday, October 18, 2025

Piasa Sells Beauford Delaney Abstract

On October 16, 2025, Piasa auctioned a single yellow abstract painting during its Modern and Contemporary Art sale.

Untitled, Paris
(1967) Oil on panel
Signed lower left
Counter-signed, dated and located on the reverse
94.5×70.5cm / 37.2x27.7in
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.

The estimated sale price for the work was 100,000€ to 150,000€.

It sold for 124,630€—including a 24% buyer's premium.

In Amazing Grace, biographer David Leeming states that the Musée Galliera showed several of Beauford's works in their exhibition called L'Age du Jazz in May 1967.

He says that among these works were "abstractions that were attempts to convey in light and color the dynamics of jazz."

Perhaps Untitled, Paris was one of them.

For more information about the Piasa Modern and Contemporary Art auction, click HERE.

Saturday, October 11, 2025

Piasa Offers a Beauford Delaney Abstract for Sale

Piasa is no stranger to Beauford's work, having sold six of his paintings and works on paper during its June 2023 Modern and Contemporary Art sale.

On October 16, 2025, the auction house will offer a single yellow abstract painting during its upcoming Modern and Contemporary Art sale.

Untitled, Paris
(1967) Oil on panel
Signed lower left
Counter-signed, dated and located on the reverse
94.5×70.5cm / 37.2x27.7in
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.

The Web page showcasing this piece describes Beauford's impasto as appearing "to dance like tiny sparks on the canvas."

It offers a lyrical portrayal of Beauford’s abstracts as “luminous” and interprets his artistic spirit as follows:

"Beauford Delaney in Paris is the story of light transformed into colour and colour transcended by light. His painting rises to the level of meditation, exploring the spaces between figuration and abstraction, between personal and universal experience. Through this prism, he defines a visual language in which every nuance, every sparkle speaks of hope and resilience, reinvention and liberation."

The estimated sale price for Untitled, Paris is 100,000€ to 150,000€.

For information about the sale, click HERE.

Saturday, October 4, 2025

Beauford's Nature Landscapes

Beauford rarely painted figurative or abstract works that depict only nature (no definitively identifiable dwellings or people).

Today I am sharing images of the ones I know about.

Untitled (Knoxville landscape)
(1922) Watercolor on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled (Trees)
(1945) Watercolor on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Central Park
(1950) Pastel on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled (Streaked Light)
(ca. 1962) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled (Istanbul, Turkey)
(1966) Oil monotype on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled
(1967) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled (Knoxville landscape)
(1968) Oil monotype on cream wove paper laid down to illustration board
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled (Abstracted landscape)
(1969) Watercolor on wove paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled (Knoxville landscape)
(1969) Knoxville Downtown Wrap
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Untitled (Knoxville landscape)
(1971) Watercolor on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.

Saturday, September 27, 2025

It's Hard to Work in Yellow

Beauford's masterful use of the color "yellow" is inevitably mentioned when people talk about his art.

It wasn't until I watched artists in the YouTube video Art Matters NY (55:18-57:04 minutes) discussing his recent solo exhibition at The Drawing Center that I began to understand the level of his mastery.

Shown at In the Medium of Life at The Drawing Center:

Untitled (Red Bar)
(1962) Gouache on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.

Comments in the video such as "if you try to ... make something look 3D with yellow ... give it some volume with yellow paint, you almost immediately figure out that yellow wants to sit there and be flat" incited me to research painting with yellow.

So, I did an Perplexity AI search using the following prompt:

"I recently watched a YouTube video during which an artist expressed her admiration for Beauford Delaney's masterful use of the color yellow in his paintings and described the difficulty she has painting with yellow.

"Is this difficulty something that is "known" among painters?

"Might it be peculiar to her?"

Here was the response:

Yes, difficulty painting with the color yellow is a recognized challenge among painters and is not peculiar to the artist you watched; yellow is widely considered one of the trickiest colors to handle in both technical and expressive terms.

Yellow pigments tend to be less opaque compared to other colors, making it hard to achieve bright, smooth coverage without multiple layers. Many yellow paints are described as overly transparent or even "clumpy," leading artists to struggle with getting an even, vivid finish. Classic solutions include starting with a white or light primer to boost vibrancy or layering over ochre or brown bases to build depth.

The issues with yellow extend beyond opacity: yellow is highly sensitive to contamination by other colors during wet-on-wet techniques, easily muddying toward green, brown, or dull tones with accidental mixing. Many botanical artists and portrait painters report avoiding yellow subjects purely because of how hard the pigment is to control, highlighting this as a shared experience across painting communities.

Artists like Beauford Delaney and Van Gogh became famous for overcoming these obstacles and using yellow to powerful effect, mastering layering and pigment selection to create luminous, spiritual, and expressive works. Delaney’s yellow, for example, is described as interwoven with other colors to create a lyrical, layered brushwork that captures both light and emotion.

Having read the above, I am looking at Beauford's yellows in a new light. 

Here are just a few examples of his work in which this color predominates. (Note the texture in these paintings!)

Portrait of James Baldwin
(1966) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, N. Y.
Street Scene
(1968) Oil on canvas
Signed and dated "BEAUFORD DELANEY 1968" lower right
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, N. Y.
Bernard Hassell
(ca. 1971) Oil on canvas
Private collection
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, N. Y.
 
Untitled
Signed, inscribed and dated "Beauford Delaney Paris 1965 midday" on the reverse
(1965) Oil on canvas
25 1/2 x 21 in. (64.8 x 53.3 cm.)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, N. Y.
Untitled (Portrait of a Young Man)
(c. 1963) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, N. Y.

Saturday, September 20, 2025

A $5 Blues for Beauford Delaney

The Hodges Library at the University of Tennessee Knoxville recently hung an exhibition entitled Beauford Delaney: Light Beyond the Canvas. It complements the Beauford Delaney Papers they hold in their Special Collections archive.

In an article published about the exhibition, a link to a YouTube video about jazz pianist Donald Brown leads to a delightful look at the Beauford-inspired song Brown composed after spending time in the archive:

Les Amis published an article about Brown's time in the archive in March 2025: Jazz Pianist Donald Brown Creates Music Inspired by Beauford

To read other Les Amis articles that present Beauford-inspired contemporary music, click on the links below:

Beauford Delaney and Free Lunch - Part 1

Beauford Delaney and Free Lunch - Part 2

To read the announcement for the July 2025 concert by trumpeter Wadada Leo Smith organized by The Drawing Center as a tribute to Beauford, click HERE.

Saturday, September 13, 2025

Something Has Happened to My Color

In a letter Beauford wrote to Henry Miller in 1965, he said:

"Something has happened to my color and the paintings seem to have sunlight and the feeling sometimes of all you wonderful people it has been my privilege to have as friends and architects of the spirit."

Today, I'm posting several images of works Beauford created in 1965 that evoke for me the emotion conveyed in this sentiment.

The Spirit
(1965) Oil on canvas
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled (Portrait of a Man) (aka Man with Medallion)
(c. 1965) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled (aka Abstract White Light)
(c. 1965) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Portrait of Darthea Speyer
(1965) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1965) Oil on canvas
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Saturday, September 6, 2025

Beauford "in Living Color" and Special Programs at The Drawing Center

Only eight days remain to see the magnificent In the Medium of Life exhibition that spotlights Beauford's works on paper at The Drawing Center.

Today, I'm sharing images of a few of the most vividly colored works in this show.

Untitled (Abstract Circles)
(1956) Pastel on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY
Untitled
(1961) Watercolor on paper
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1963) Gouache on paper
signed, inscribed and dated 'Beauford Delaney July 28, 1963 Paris' (lower left);
signed again 'Beauford Delaney' (on the reverse)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1965) Gouache and watercolor on paper
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1965) Gouache and watercolor on paper
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

To close out the exhibition, The Drawing Center is hosting two special programs:

On September 6 from 4 PM – 6 PM, Nicholas Boggs will read from and sign copies of his new biography of James Baldwin entitled Baldwin: A Love Story, the first section of which is devoted to Beauford. Boggs will be joined by Terrance Hayes, whom The Drawing Center describes as an "acclaimed poet, writer, and visual artist whose work has long been influenced by both Baldwin and Delaney." Hayes will read from Baldwin's writings and his own during this event.

On September 10 from 6:30 PM – 8 PM, To Move in Light: Literary Offerings to Beauford Delaney will be moderated by writer and art critic Jessica Lynne. During this evening, poet Najee Omar, writer and musician Justin Allen, and writer and theologian Joe Tolbert Jr. will "explore elements of Delaney's life and work, offering multiple insights into how his resilient spirit manifested in both his art and the broader context of his life."

In the Medium of Life: The Drawings of Beauford Delaney will be on display through September 14, 2025.

The Drawing Center
35 Wooster Street
New York, NY, 10013
Open Wednesday through Sunday from 12 PM to 6 PM
Closed Monday and Tuesday
Admission is free.

Saturday, August 30, 2025

Portrait of a Woman Sold by Black Art Auction

Black Art Auction offered Beauford's Portrait of a Woman, c. 1970 at its Timed Summer Auction.

Lot 11
(c. 1970) Portrait of a Woman
Oil monoprint on paper (unique)
24 x 19-1/2 in.
unsigned
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

The work proposed is quite similar in form to the one pictured below.

Untitled (Woman in an Abstract Field)
(1966) Oil monotype, with hand-painted additions in oil,
on cream wove paper
Image courtesy of Swann Auction Galleries
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

The Wells International Foundation's 2016 intern, Sojourner Ahébée, wrote a poem inspired by this work.

Les Amis published the poem on August 27, 2016.

Portrait of a Woman is dated c. 1970, but it is entirely possible that he created it at the same time he painted Untitled (Woman in an Abstract Field)

Its estimated sale price was $15,000 - $20,000.

The work sold for $13,000, including a 25% buyer's premium.

Saturday, August 23, 2025

Portrait of a Bearded Young Man Sold by Swann Auction Galleries

Portrait of a Bearded Young Man was part of Swann Auction Galleries' LGBTQ+ Art, Material Culture & History auction, which took place on August 21, 2025.

Lot 189
Portrait of a Bearded Young Man Reading
(1971-72) Oil on linen canvas
64.8 x 54 cm.; 25 1/2x21 1/4 inches.
Signed and dated in pencil, lower edge (twice)
Image courtesy of Swann Auction Galleries
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

To my knowledge, this is the first time Swann has offered a Beauford Delaney work in a sale whose theme is not African-American artists.

The blues and greens that dominate the background of this work and the horizontal line behind the subject that virtually bisects the painting evoke a country landscape. White streaks in the upper portion of the painting make me think of clouds.

Perhaps Beauford painted this during one of the first trips he took to Saint Paul de Vence, where, in 1971,  James Baldwin had recently moved into what would become his last home.

The estimated sale price of Portrait of a Bearded Young Man was $20,000 - $30,000.

The painting sold for $16,500, including a 25% buyer's premium.

For more information about the auction, click HERE.

Saturday, August 16, 2025

Two Beauford Delaney Portraits to Be Auctioned

Two Beauford Delaney portraits are being offered at auction this month.

Portrait of a Bearded Young Man is part of Swann Auction Galleries' LGBTQ+ Art, Material Culture & History auction, which will take place on August 21, 2025.

Lot 189
Portrait of a Bearded Young Man Reading
(1971-72) Oil on linen canvas
64.8 x 54 cm.; 25 1/2x21 1/4 inches.
Signed and dated in pencil, lower edge (twice)
Image courtesy of Swann Auction Galleries
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

To my knowledge, this is the first time Swann is offering a Beauford Delaney work in a sale whose theme is not African-American artists.

The estimated sale price is $20,000 - $30,000.

For more information about this auction, click HERE.

Black Art Auction is offering Beauford's Portrait of a Woman, c. 1970 at its Timed Summer Auction.

The work being proposed is quite similar to the one pictured below.

Untitled (Woman in an Abstract Field)
(1966) Oil monotype, with hand-painted additions in oil,
on cream wove paper
Image courtesy of Swann Auction Galleries
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

The Wells International Foundation's 2016 intern, Sojourner Ahébée, wrote a poem inspired by this work.

Les Amis published the poem on August 27, 2016.

The estimated sale price for Portrait of a Woman is $15,000 - $20,000.

For more information about this sale, click HERE.

Saturday, August 9, 2025

Resonance of Form Works on Paper

Because a couple of the works being displayed in Beauford's solo exhibition at The Drawing Center were first shown in public during the 2016 Resonance of Form and Vibration of Color exhibition that the Wells International Foundation and Les Amis organized in Paris, I was inspired to look at all the works on paper from this earlier show and post images of a few of them here today.

The first four works represented in the images below are my favorites from Resonance of Form.

Untitled
(1956) Inks on paper
Private collection
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1956) Aquarelle on paper
Private collection
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Les Embruns
(1963) Mixed media on paper
Private collection
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1970) Mixed media on cardboard
Private collection
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

The two works pictured below are similar to works represented in The Drawing Center's In the Medium of Life catalog.

Untitled
(1960) Mixed media on paper
Similar to Plate 37 in In the Medium of Life
Private collection
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Man in African Dress
(1972) Watercolor on paper
Similar to Plate 89 in In the Medium of Life
Private collection
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Saturday, August 2, 2025

Aurora & Athena Sells Another Beauford Delaney Abstract

As reported last week, Barcelona's Aurora & Athena offered a vibrant Beauford Delaney abstract painting for sale during its July Fine Art Auction: Modern & Contemporary Masterpieces.

Lot 15
Abstract Composition
(1961) Oil on canvas
Signed front lower right "61 Beauford Delaney"
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

The estimated sale price of this work was 20,000€ to 30,000€.

It sold for 42,500€ (54,400€ with buyer's premium).

Presumably, Beauford painted Abstract Composition, 1961 during the first half of 1961, when he participated in group shows at the American Cultural Center (14 January through 11 February) and the Galerie Breteau (1 June through 8 July) in Paris.

Aurora & Athena sold a 1968 abstract work on paper by Beauford during its inaugural auction—A Curated Collection of Fine Art—on December 7, 2024.

Lot 08
Untitled
(1968) Gouache on paper
Signed lower right "Beauford Delaney 68"
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Its estimated sale price was 2,000€ to 3,000€, and it sold for 3,500€ (4,375€ with buyer’s premium).