Les Amis de Beauford Delaney is supporting the completion of

BEAUFORD DELANEY: SO SPLENDID A JOURNEY,

the first full-length documentary about Beauford.


Join us in making this video tribute to Beauford a reality!

TO MAKE A TAX DEDUCTIBLE DONATION,

CLICK HERE.



Saturday, December 13, 2025

Sweet 16 - Celebrating Les Amis' Milestone Anniversary

On December 14, Les Amis de Beauford Delaney will celebrate sixteen years of honoring Beauford's brilliance through the Les Amis blog.

This anniversary is important because it marks a major transition in the life of the blog, which has grown into both a beloved source of stories for casual readers and a valuable reference for scholars wishing to explore Beauford’s life and art.

To honor this journey and better serve our worldwide community, we are bringing Les Amis into a new era.

We’re working on a major upgrade: moving the blog (which has approximately 750 posts to date) to a modern platform that will improve accessibility, allow interactive features, and safeguard our content for the future.

This platform will be hosted by the Wells International Foundation (WIF).

WIF is the U.S. nonprofit that raised the money for and organized the Resonance of Form and Vibration of Color exhibition, which launched Beauford's renaissance in 2016.*

 

Resonance of Form and Vibration of Color catalog cover

Great progress has been made on this project, and as of this writing, we are on track to complete the transition by the end of December 2025.

Once this has been accomplished, we will perform a final series of tests for functionality and go live early in 2026.

Today, we want to reflect on and celebrate what has transpired since our first post on December 14, 2009.

How It All Began 

Les Amis de Beauford Delaney is a small, French non-profit organization (Association 1901) that was created in November 2009. 

Beauford Delaney
(1953) Carl Van Vechten

 The goals of the organization are as follows: 

1) Placement and maintenance of a tombstone for the grave of painter Beauford Delaney, who is buried at the Parisian Cemetery of Thiais 

2) Payment of the renewal fees for his grave 

3) Organization of commemorative or educational events in his honor 

4) Informing the press and the media of his life and accomplishments. 

For several years, the French nonprofit pursued all four goals on its own.

We launched the blog to raise awareness of Beauford's story in support of the fundraising effort to place a tombstone at his previously unmarked grave at Thiais Cemetery outside of Paris.

With the support of the U.S. Embassy and numerous private donors, we succeeded in this effort and laid the stone over the summer of 2010.  

We organized a graveside ceremony, which was followed by a U.S. Embassy-hosted reception in Paris on October 14, 2010. 

Gathering around the tombstone
© Discover Paris!

Because of the passion ignited by this effort, we continued to delve into his life and art and bring these stories to the public through the blog. 

Beginning with the 2016 Resonance of Form exhibition, we have partnered with WIF on various events.

When the blog is transferred to the new platform, we will work with WIF in an advisory capacity on the selection of content that will be uploaded alongside the blog.

We are excited that what started as a modest online publication has grown into a key resource supporting the global renaissance of interest in Beauford’s work.

Sixteen Years of Milestones and Achievements 

Across these sixteen years, Les Amis has supported and documented major developments in the reclamation and expansion of Beauford’s artistic legacy. 

We have

  • Featured exhibitions of his work around the world and highlighted new acquisitions of his works by major museums
  • Reported on the sale of his work by numerous auction houses and celebrated record breaking transactions
  • Shared anecdotes from personal friends and acquaintances that shed light on Beauford's personal life
  • Documented initiatives to preserve Beauford Delaney archival materials
  • Exposed readers to the vast depth and breadth of his artistic practice
  • Provided support for scholars wanting to investigate his life and work as well as the life and work of his famous mentee, James Baldwin. 
Beauford's work at the groundbreaking Paris Noir exhibition in 2025
© Entrée to Black Paris
 
 
Negro Man [Claude McKay]
(1944) Oil on canvas
Acquired by the Los Angeles County Museum of Art in 2022
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator,
Image: Michael Rosenfeld Gallery LLC, New York, NY
 
The Sage Black
(1967) Oil on canvas
Record-breaking sale by Christie's in November 2025
$1.2 million (hammer price)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Through these efforts, Les Amis has played a significant role in shifting Beauford from the margins to the center of conversations on 20th century artists.

Moments That Resonated the Most

Among the many posts that have filled the blog over the years, certain stories have left an enduring mark.

These include profiles and posts about

  • Beauford’s friendships, particularly his life-changing bond with James Baldwin
  • Projects inspired by Beauford's life and work, including the Classes Duo partnership with the City of Paris and the play, Amazing Grace is Yellow
  • Lesser-known moments of Beauford's life in Knoxville and Boston
  • Deep dives into specific paintings that helped newcomers connect emotionally with his work
  • Scholarly commentary and exchanges about Beauford's œuvre

 

These posts remind us that the blog is more than an archive—it is a space for discovery, memory, conversation, and connection.

The Community That Keeps the Blog Alive

We cannot honor this milestone anniversary without recognizing the vibrant community that has sustained this project:

  • The readers who come back year after year
  • The students and scholars who find information and images to support their work on the blog
  • The educators who use our posts in their classrooms
  • The friends of Beauford who read the blog and are inspired to contribute their own stories about him
  • The museum curators, auction houses, and archivists who share research or request information.

 

Speculative Light book cover
Cover Art: Portrait of James Baldwin
(1965) Oil on canvas
Chrysler Museum of Art, Norfolk, VA
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY

We especially thank the Estate of Beauford Delaney, the Knoxville Museum of Art, Galerie Intemporel, the Beck Cultural Exchange Center, the University of Arizona, the University of Tennessee Knoxville, and the Michael Rosenfeld Gallery for their unwavering support over the lifetime of the blog.

Looking Forward

Sixteen years is a milestone, but it is also a beginning. We continue to work—joyfully and intentionally—to expand Beauford's legacy.

Because Beauford deserves more ...

... more recognition, more scholarship, and more space in the global conversation about modern art.

Looking ahead, Les Amis aims to

  • Launch new digital features, examples of which include exclusive interviews, digital stories, and curated reading lists.
  • Expand access to resources for students, educators, and Black and other cultural institutions.
  • Support new research that deepens our understanding of Beauford’s artistic evolution.
  • Continue collaborating with museums and scholars on exhibitions and archival projects.
  • Continue nurturing the community of Beauford's supporters around the world.

Our overarching mission remains the same: to keep the light shining brightly on Beauford’s work and to ensure his story is never again pushed to the edges of art history.

In Gratitude 

To everyone who has walked this sixteen-year journey with us—thank you!

Your curiosity, your engagement, your passion, and your love for Beauford’s art make this blog a living tribute.

His legacy continues because you choose to be part of keeping it alive.

Auto-portrait
(1965) Oil on canvas
Whitney Museum of American Art, New York City
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery LLC, New York, NY
 
*****************

*WIF is raising $3200 to support the cost of transitioning the Les Amis blog to its new home.

If you'd like to donate, click HERE to access WIF's giving page. 

Enter "Beauford Delaney" in the donor note so your gift is directed to this project. 

Saturday, December 6, 2025

Beauford's Portrait of Peter Eyre

Hauser and Wirth in London has a Beauford Delaney portrait for sale.

The sitter was Peter Eyre.

Peter Eyre
(1960) Oil on canvas
67.5 x 56.5 x 4.3 cm / 26 5/8 x 22 1/4 x 1 3/4 inches (framed)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Eyre is a U.S.-born stage and screen actor who has lived in Great Britain since the age of twelve. He has performed numerous times in London's West End and on Broadway as well as in multiple feature films and television shows.

In 1959 and 1960, Eyre studied drama in Paris. Through his friendship with Belgian theater director Robert Cordier, he came to know James Baldwin.

Through Baldwin, he came to know Beauford.

Eyre wrote the following about Beauford:

Beauford was a very quiet gentle man, almost Buddha-like in his often silent observation of the lively crowd in the bars who surrounded the very volatile Jimmy. We made friends and I loved his wise pronouncements. I think I was an oddity to him. I was a 19 year-old English school kid seeking some kind of validation in Paris.
I loved his illuminating abstract paintings infused with light, and I was flattered when he suggested he paint my portrait. Being with him was a lovely tranquil time.
When we went out after the sittings, I would take him back to his apartment. I was always amused when he would show his address to the taxi driver, on a tiny piece of paper ... 53 rue Vergingetorix ... which is a bit of a mouthful for someone not at ease in the French language!
Beauford’s portrait and loving friendship made me feel that my very insecure youthful self held a possibility to be someone.
Now looking back I am especially happy to realise Beauford Delaney has taken place as one of the great artists of the twentieth century. Yes... a very great artist and a pure soul.

I had the opportunity to interview Eyre about his experience meeting Beauford and sitting for his portrait.

He told me that he and Cordier hung out at Les Nuages and KevVillage near rue de Rennes in the 6th arrondissement and said this is where they would meet up with "Jimmy" and Beauford. He believes Beauford asked him to sit for a portrait during a meeting in a cafe and remembers shyly agreeing to the request.

He sat with Beauford "maybe seven times" for the portrait.

Eyre recounted the story of the work hanging in the office of Paul Facchetti during Beauford's 1960 solo exhibition of abstract paintings at the Facchetti gallery on rue de Lille. He said it was hung there as a favor because Beauford wanted Henry Miller to see it.

Eyre and Beauford were in the office when Miller arrived at the exhibition, and Beauford brought Miller into the office to introduce the two men and present Eyre's portrait.

Beauford at the Paul Facchetti Gallery
© Paul Facchetti

Eyre (who was known as "Oscar" in England) remembers being stunned when Miller viewed the painting, looked at him, then turned to Beauford and asked "Is he the new Oscar Wilde?"

Eyre inherited the portrait from his mother. He said she never met Beauford, and he is not sure when she purchased the painting.

When I asked about his favorite memory of Beauford, he replied, "I loved his composure, sweetness, and kindness."

To view a photo portrait of a young Peter Eyre (1961), click HERE.

The sale price for Beauford's portrait of Peter Eyre is GBP 250,000.00, excluding VAT.

For information, contact Aileen Corkery at aileen@hauserwirth.com.

Saturday, November 29, 2025

Additional recent sales of Beauford's work

Last week, Les Amis reported on the record breaking sale of Beauford's portrait of James Baldwin entitled The Sage Black.

This week, we're announcing additional recent sales of Beauford's work.

Phillips held its Modern and Contemporary Art Day Sale, Morning Session in New York on November 21, 2025. Lot 183 was a beautiful Beauford Delaney watercolor on paper, the provenance of which lists the Gloria and James Jones Collection.

Lot 183
Untitled
(1961) watercolor on paper
signed, inscribed and dated "Beauford Delaney 1961 Mallorca" lower right
25 3/4 x 19 3/4 in. (65.4 x 50.2 cm)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Beauford traveled to San Telmo in Mallorca with Charlie and Gita Boggs and Joe and Bernice O'Reilly during the summer of 1961. This trip took place after Beauford's suicide attempts in Greece.

In Amazing Grace: A Life of Beauford Delaney, biographer David Leeming states that "In San Telmo, he did eat well and rest, and, with the help of soothing talks with Bernice and Gita especially, managed to maintain a surface calm and even began to do some watercolors."

The estimated sale price of Untitled was $20,000-$30,000.

The actual sale price was $41,280, including a 29% buyer's premium.

Galerie Setze in Paris privately sold several sketches that Beauford executed in the 1930s.

Unnamed portrait
(circa 1935) Charcoal
28 x 44 cm
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY
Portrait of James Baldwin
(circa 1938) Pencil on paper
27 x 37 cm
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Though the title of this work indicates that the sitter for the portrait was James Baldwin, the date attributed to the work and Beauford's own cryptic inscription make this highly unlikely. Baldwin reportedly met Beauford when he was sixteen years old—this means he could not have sat for Beauford prior to 1940.

Galerists Sandra and Eric Setze reported that Beauford gifted these works to Professor Michel Fabre, whose son, Pierre Fabre, received them through inheritance.

The sale price of these works is undisclosed.

Saturday, November 22, 2025

The Sage Black - Sold by Christie's

During its 20th Century Evening Sale on November 17, 2025, Christie's sold Beauford's The Sage Black from the Collection of Robert and Faye Davidson.

Lot 20 A
The Sage Black
(1967) Oil on canvas
signed, inscribed, titled and dated
 'The Sage Black Beauford Delaney Paris 1967'
(on the reverse)
35 ½ x 33 in. (90.2 x 83.8 cm.)
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Two fairly recent descriptions of this bold work resonate with me.

The first, written by curator Stephen C. Wicks of the Knoxville Museum of Art, was published in the museum's Beauford Delaney and James Baldwin: Through the Unusual Door catalog in 2020:

"Of Delaney's many images of Baldwin, The Black Sage represents one of his most powerfully expressive portrayals. The writer's larger than live visage exceeds the canvas's vertical span. The painting's title and the sitter's enlarged eyes suggest Delaney's recognition of his protégé's emergence as a cultural and artistic visionary. Delaney's use of swirling color and dripping black paint to define the contours of Baldwin's face brings to mind the writer's recollection of the artist calling to his attention the strange beauty of an oily reflection 'moving like mercury in the black water of the gutter.'"

The other description was written by Rachel Cohen and published in Amy J. Elias' 2025 anthology of scholarly essays entitled Speculative Light: The Arts of Beauford Delaney and James Baldwin:

"... the head of the sitter stretches up to the very top of the canvas and seemingly beyond, suggesting that the viewer might be within that person—or the whole world might be.Lines of a striking periwinkle blue course aruond the face and shoulders and through the background, as does an ochre yellow .... A pattern of colors is running through the atmosphere and the person.

To read a full essay that provides additional painterly description of The Sage Black and information about Beauford's life at the time he created this work, visit Christie's Website and click on Lot Essay.

The estimated sale price for this celebrated work was $500,000 to $700,000.

The actual sale price was $1,524,000, including a 27% buyer's premium.

The hammer price of $1.2 million is a new record for a Beauford Delaney sale at auction.