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BEAUFORD DELANEY: SO SPLENDID A JOURNEY,

the first full-length documentary about Beauford.


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Saturday, January 24, 2026

Withdrawn and Working and Thinking...

In Amazing Grace: A Life of Beauford Delaney, biographer David Leeming presents a quote from a letter that Beauford wrote to his friend, Larry Wallrich, on January 8, 1957.

In the letter, Beauford said that he had been

withdrawn and working and thinking these past several months and plan somehow to even withdraw more, as deep introspection and [the] search for me is vitally necessary ....

Upon (re)reading this chapter in the biography, I decided to look at images of the works Beauford created in 1956—the year he moved to his Clamart studio—to see what being "withdrawn and working and thinking" allowed him to produce.

Below are a few examples of his work from that year.

Untitled
(circa 1956) Gouache, watercolor and charcoal on wove paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled (Abstract Circles)
(1956) Pastel on paper
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled (Ibiza)
(1956) gouache and watercolor
18" H x 11 7/8" W
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1956) Aquarelle on paper
Private collection
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Untitled
(1956) Gouache on illustration board
PFF Collection
Signed and dated in ink, lower right
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

Saturday, January 17, 2026

Beauford at the Artists' Gallery

In Amazing Grace: A Life of Beauford Delaney, biographer David Leeming writes:

By 1948 Beauford was finally recognized as a member of the expressionist movement in New York. He was given a solo exhibit at the Artists Gallery on 57th Street in May. He wrote to Billy Rose in May that the 57th street show meant something special to him because it justified the support by his friends of his "terribly painful efforts to try to be articulate."

Leeming indicates that Beauford's Jazz Quartet was shown at this exhibition. He described it as "an energetic, highly colored depiction of a black jazz quartet dominated by a candy-striped piano played by a woman in an elaborate hat."

Jazz Quartet
(1946) Oil on canvas
Image courtesy of Burt and Patricia Reinfrank
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Courtesy of Michael Rosenfeld Gallery, LLC, New York, NY

During a recent Internet search, I was pleased to find images of the front and back of an invitation card to Beauford's Artists' Gallery show.

Artists' Gallery Invitation Card - recto and verso
Images reproduced with the permission of Jon Glovin, Fenrick Books
 

Fenrick Books is selling this piece of memorabilia. The blurb on the Web page provides the following information about the gallery:

The Artists' Gallery was a non-profit organization that existed from 1936-1962 in various locations. It showed a wide range of artists including Josef Albers, Lyonel Feininger, Adolph Gottlieb, Hans Hoffmann, Louise Nevelson, etc. It collected no commission from the sale of works, instead relying of financial donors.

Further investigation turned up the following tidbit of information from Getty.edu re: selected dealer archives:

Artists' Gallery, New York. Founded in 1936 by Hugh Stix and directed by Federica Beer-Monti. A nonprofit organization supported by contributions, it exhibited works of artists not represented by a commercial dealer, including Josef Albers and Louis Eilshemius. Closed 1962.

The Getty Website references the Smithsonian's Archives of American Art as its information source.

Upon visiting the archive pages dedicated to the Artists' Gallery, I was only able to find mention of a copy of Henry Miller's The Amazing and Invariable Beauford Delaney among the printed materials in the collection. There may well be a catalog for Beauford's 1948 show and/or papers related to the show in the collection, but one would need to visit the Smithsonian to peruse the six boxes of archived items to find and review them.

I have not been able to find any images of the gallery's façade or interior. The space it occupied is now part of the address of the Four Seasons Hotel.

Saturday, January 10, 2026

Winter (the Fourth Season) at Sainte-Anne's Hospital

Over the past couple of years, I have written about the landscape at Sainte-Anne's Hospital* in the spring, summer, and fall.

Today, I'm rounding out this series of articles with a post about Sainte-Anne's in the wintertime.

In December 2025, the view of the hospital from boulevard Saint-Jacques was somewhat marred by the construction on rue Ferrus.

View of Sainte-Anne's Hospital from boulevard Saint-Jacques
© Entrée to Black Paris

But the grounds behind the entrance on rue Cabanis did not disappoint.

The wall next to the small door for pedestrian entry to the campus bears a plaque that declares the premises a certified Eco-jardin.

Eco-jardin plaque
© Entrée to Black Paris

Organizations that successfully earn this qualification are committed to following a management plan that includes elements such as proper soil protection, responsible water use, respect for flora and fauna, and staff training on the sustainability of green spaces.

Sainte-Anne's earned its certification in 2025.

I made my usual rounds of the campus on the day after Christmas.

Near the path leading to the medieval garden, I was surprised to see a sign that congratulated visitors on completing a 9-stage exercise course (balade sportive) that has been created on the campus.

Congratulations on completing the balade sportive
© Entrée to Black Paris

I learned that the hospital has encouraged staff and visitors to follow this course for several years, but I have never seen this signage before.

Walking past the Coteau "Les Contemplations," I noted that the grape vines planted there and around the statue of Victor Hugo were bare. One lonely rose swayed in the wind next to the path near the sculpture.

Grape vines near Victor Hugo sculpture
© Entrée to Black Paris
Rose near Victor Hugo sculpture
© Entrée to Black Paris

On the other side of campus, I discovered another garden area that had been planted with a single row of grapevines. A cluster of drying grapes clung to one of these vines; the rest of them were bare.

A cluster of grapes
© Entrée to Black Paris

The CGT (Conféderation Générale du Travail - General Confederation of Labor) union office had multiple announcements posted next to the entrance. One in particular called for donations to support its cause.

CGT flier
© Entrée to Black Paris

I had fun snapping photos of the few flowering plants I found and trying to identify those I didn't recognize using my PlantNet app. (I am no botanist, so if any of the labels below are erroneous, feel free to let me know!)

Camelia
© Entrée to Black Paris
Nipplewort
© Entrée to Black Paris
Honeysuckle
© Entrée to Black Paris
Winter daphne
© Entrée to Black Paris
Saint Martin's Lily and Spanish Dagger
© Entrée to Black Paris

Compared to what I remembered from my visit last summer, many more trees were identified by plaques. My guess is that the signage is part of the hospital's eco-jardin initiative.

Incense cedar
© Entrée to Black Paris
Incense cedar plaque
© Entrée to Black Paris
Golden rain tree
© Entrée to Black Paris
Golden rain tree plaque
© Entrée to Black Paris
Poplar tree
© Entrée to Black Paris
Poplar tree plaque
© Entrée to Black Paris

The signage for the poplar tree in the Parc Charles Baudelaire states that this tree is the oldest and largest on the hospital's campus.

A sign on another tree nearby indicates that the park is the starting point for the balade sportive.

Starting point for the balade sportive
© Entrée to Black Paris

My most striking discovery during this visit had nothing to do with plants.

On a wall near the Alesia entrance to the campus, the Museum of Art and History of Sainte-Anne's Hospital (MAHHSA) was displaying a portrait gallery from its collection of works created by patients. The dated artworks were created between 1905 and 1986; most of them were works on paper.

A selection of portraits from MAHHSA's collection
All images © Entrée to Black Paris

None of the 27 works on display were attributed to Beauford. To the best of my ability to determine, the museum does not hold any of his work in its collection.

To read the articles about my spring, autumn, and summer visits to Sainte-Anne's, click on the links below.

Early Spring at Sainte-Anne's Hospital

Fall Flowers at Sainte-Anne's Hospital

Summertime at Sainte-Anne's Hospital

Entrance to Sainte-Anne's Hospital - rue Cabanis
© Entrée to Black Paris

*Sainte-Anne's Hospital is the place where Beauford died after spending four years as a psychiatric inpatient.

Saturday, December 20, 2025

Two Buildings for Beauford

As 2025 comes to a close, Knoxville continues to honor Beauford and his family in one of the most auspicious ways possible—by working on buildings named after them.

That's right - buildings (in plural)!

In August 2021, ground was broken on the Delaney Museum at Beck.

The Beck Cultural Exchange Center acquired the Delaney family's last homestead in 2015 with the intent to restore the home and grounds. Since that time, Beck President Reneé Kesler has led the effort to turn the property into an international museum that will honor Beauford, his brother, Joseph (who was also a painter), and the entire Delaney family.

Watch Reverend Kesler tell the story of how she acquired the home HERE.

The museum was originally projected to open in Autumn 2022. But due to the Covid-19 pandemic and escalating construction costs, work on the project has been postponed several times.

Construction finally began in earnest on November 18, 2025.

Beck released the following photos when it announced the commencement of work.

All images courtesy of the Beck Cultural Exchange Center

See images of the work being done at the Delaney Museum at Beck by clicking HERE.

In another area of Knoxville, a much larger project is now nearing completion.

The Beauford Delaney Building is part of the Knoxville Multi-Use Stadium project in Knoxville's Old City. We first wrote about it in February 2022

Construction had not begun at that time.

Today, the nine-story, mixed-use building, which has been dubbed "The DELANEY," has 47 one- or two-bedroom condominiums and over 20,000 square feet of retail and restaurant space. Advertisements boast of indoor and outdoor entertainment areas, stadium and city views in every direction, large terraces and spacious balconies, and a state-of-the-art fitness center. The condos range in price from $750,000 to $2.5 million.

All images courtesy of David Butler

Though construction is not quite complete, some residents are already moving into the building. 

See images of the condos HERE and watch a local news report about the building HERE.

This is Les Amis' last posting for 2025. We wish you the happiest of holiday seasons and look forward to seeing you in the New Year!