When I learned that the Petrucci Family Foundation (PFF) owns the two Beauford Delaney works being shown in the Bellagio Gallery of Fine Art'sAmerican Duet: Jazz and Abstract Art exhibition, I immediately reached out to the foundation to learn more about its interest in Beauford.
Untitled
(1956) Gouache on illustration board
PFF Collection
Signed and dated in ink, lower right
© Estate of Beauford Delaney,
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
Director Claudia Volpe graciously granted Les Amis a live interview to respond to my questions. She told me that PFF was founded by Jim Patrucci in 2006 and that it centers its philanthropic activity on the development of inner city youth.
In 2012, PFF decided to begin collecting art. Petrucci's first advisor was Berrisford Boothe, an artist, art historian, and professor of Art & Design at Lehigh University. Because of their recognition of the enormous disparities in representation of Black artists, they decided to pursue collecting art in support of these artists while fulfilling the foundation's overarching mission of providing education for the communities it serves.
Over 200 artists are currently represented in the PFF Collection. The pieces are quite diverse - they date from the 1880s through the present and represent all types of media. Petrucci has a pension for collecting works by contemporary artists who are in their "twilight years" and have not had a major exhibition or attracted major patrons or collectors.
PFF is also committed to art preservation.
Regarding Beauford's work, both of the pieces in the collection were acquired at auction. PFF is interested in acquiring additional works, both figurative and abstract.
Untitled (Green, Red, and Yellow Abstraction)
(c. 1962-1964) Watercolor on paper
PFF Collection
© Estate of Beauford Delaney
by permission of Derek L. Spratley, Esquire,
Court Appointed Administrator
The Petrucci Family Foundation has a rigorous loan program -- it has loaned works to over 36 exhibitions since the collection's inception. Some of these loans support the implementation of the PFF African American Art History curriculum, which is the product of three collaborations that emerged during the Covid-19 pandemic and the resurgence of racial justice movements in the wake of George Floyd's murder.
The curriculum aims to bridge educational gaps and enhance cultural
literacy by integrating the PFF Collection into university art history,
museum studies, and Africana studies courses. It is designed to relieve the burden that professors might feel re: creating a course in African-American art, particularly if they are not experts in the field.
Beauford was an important focus for the 2022 University of Mary Washington exhibition called Healing through the Preservation of Our Histories and Ourselves.
This show was co-curated by university students, faculty, and
community members with the intent to encourage decompression and healing
after the collective trauma experienced during the pandemic. Though the
collection's Beauford Delaney works were not available for display
during this show, students examined Beauford's struggle with maintaining
mental health as part of the exhibition theme.
Beauford's work was included in the 2024 Mobility: African-American Artists Abroad exhibition at Truman State University. The show focused on African-American artists who broadened their artistic practice through influences experienced when they moved to Mexico, Africa, and Europe.
Director Volpe has a deep interest in Beauford's work. She continues to encourage universities to include his story and his art in their customized course work, even if his physical works are not available for viewing.
